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Auchentaller also produced numerous billboards and posters for companies including Aureol (1898), Schott and Donnath, Kath Reiners Kneipp barley (1899), Continental pneumatic (1900), International Fisheries Exhibition, and G.A.S. Silver Jewelry Manufacturers, the artist designed jewelry heavily influenced by the Art Nouveau and Jugendstil movements. His family connections to the Scheids and Thonets continued to provide him with further work. The eighth issue of Ver Sacrum was entirely devoted to Auchentaller. His work consisted primarily of floral motifs and linear drawings influenced by Japanese woodcuts which were the popular during that time ( see Japonisme). For this magazine, he contributed two title pages and many graphics.
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Īuchentaller was a contributor to the magazine Ver Sacrum, a Secessionist publication, and sat on its editorial board between 19. In 1905, he left the Secession along with Gustav Klimt due to differences of artistic opinion. He also played a role in the Secession's organizing committee from the Fifth to the Tenth Exhibition (1899–1901). Auchentaller designed the poster and the catalog covers for the Seventh (1900) and Fourteenth (1902) exhibitions. Between 18, Auchentaller showed his work in 10 Secessionist shows. The Auchentallers returned from a vacation in Italy to take part. In 1897, the Vienna Secession was formed by artists who had left the Association of Austrian Artists. Auchentaller contributed to Jugend, the German Secession review established in 1896. From 1892 to 1896, the Auchentallers lived in Munich, where he studied under Paul Hoecker, a founder of the 1892 Munich Secession. Career īeginning in 1895, he contributed art nouveau designs for his father-in-law's company, G.A. They had a daughter, Maria Josepha, and a son, Peter. The couple married in 1891 after her father was convinced of Auchentaller's social and financial suitability. In 1885, he fell in love with Emma Scheid, the daughter of a prosperous manufacturer of silverware and jewelry. He attended the Academy of Fine Arts Vienna starting in 1890, and there he excelled and won several awards. Josef Auchentaller attended the Technical College in Vienna from 1882 to 1886.